Ryan's Religious Verse

I met Ryan at the end of September outside of Madison Square Garden, approaching him to ask about this tattoo on his upper right arm:

 

He explained that Philippians 4:13 was his confirmation verse. He added, "I went with the hands and everything because I already have a cross on my back."

Philippians 4:13 reads "I can do all things in him that strengtheneth me." (American Standard Version)

The chain in the hands connects to this part of the tattoo on the bicep:

Ryan commented that "I put only God can judge me because I've been going through some legal difficulties." It's a reminder that, when all is said and done, the ultimate judge is, in the belief of many, above and beyond the world in which we live.

Ryan credits Joe Bawden from Skin Alternative in Hillside, New Jersey, with this tattoo.

Thanks to Ryan for sharing his ink with us here on Tattoosday!

An Epipleptic Bicycle

Being as it is still Halloween week, perhaps a little Edward Gorey is appropriate?

This tattoo was shared by Megan, when I spotted her in Penn Station at the beginning of October:

Clicking on the Gorey tag at the bottom of the post will confirm what you may have already expected - the work of Edward Gorey is quite popular as body art.

This piece is one of six tattoos Megan has, and is based on Gorey's book The Epipleptic Bicycle. That's Embley and Yewbert, hitting each other with mallets. She told me she got this because "I love Edward Gorey and it's one of my favorite books and this is the opening sequence."

This was inked by Fatty at Fatty's Custom Tattooz in Washington, D.C.

In researching I stumbled upon this story, of a woman with a similar tattoo.

Thanks to Megan for sharing her Gorey tattoo with us here on Tattoosday!

This entry is ©2011 Tattoosday.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Repost: Michael's Mariachis

Well, it has been a repost sort of week, and as it is All Soul's Day, a.k.a. The Day of the Dead, this only seemed fitting. It's from my college friend, Michael, and it appeared here originally on December 30, 2008. Enjoy!


In reconnecting with old college friends through Facebook, my old friend Michael who I haven't seen in almost twenty years sent me an amazing tattoo he has on his right arm.

He sent me before and after shots so we can see the transformation from outline to spectacularly colorful body art. First, the before shots.....



The detail and the line work is exemplary and breath-taking. As someone with a guitar inked on my arm, I can appreciate the intricacies of a finely-drawn instrument. The detail on the mariachi's jacket cuff is incredible.



And now, for some color:




Michael explains the basic premise of this tattoo:

In a sense, this piece is a "memorial" tattoo, although I hate to call it that. Since I grew up in the Southwest, Day of the Dead was a regular thing, so I've always been drawn to that type of imagery, plus I like the meaning -- honoring the dead, and reminding us to live life to the fullest. I picked the mariachis partly because I am so into music, and partly because of the celebratory aspect of mariachis.

Like many intricate tattoos with multiple elements, every part has significance. The tulips, for example, that are growing at the mariachi's feet, "are an actual heirloom varietal that I have in the garden" [and] are for my wife -- tulips are her favorite flower".



And the angel at the top of the piece (and the top of the post)?


Michael informs us that "the angel is for my mother, who is no longer with us. The angel holds a purple iris (my mother's favorite flower), and looks down over the whole scene."

This amazing piece was inked by Susan Behney-Doyle who works out of Jinx Proof Tattoo in Washington, D.C. Mexican folk art is one of her specialties (see a gallery of her work here) and Michael says he "gave her a few reference pieces to look at, but she basically drew it after a consultation". He continues, "we made just a couple tweaks after I saw the drawing, but it's a one-of-a-kind custom piece".

The whole tattoo was crafted back in 2006 over a five-month, seven-session period. Michael notes that one of those sessions was devoted solely to shading the guitar. A closer look at the instrument reveals an incredible complexity of brown variations that truly makes the guitar jump off the skin.

Thanks again to Michael for sharing this amazing tattoo with us here on Tattoosday - twice!

This entry is ©2008, 2011 Tattoosday.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.